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Creators, Not ‘Criminals’: Children of Denotified Kuravar Tribe Speak Through Art

 

Today – August 31, 2020 – is the 69th year of India’s Denotified Tribes observing their Liberation Day. But the stigmatisation of Tamil Nadu’s Kuravars as ‘criminal’ and the police atrocities against them continue unabated. Now, a community art school is taking Kuravar children on a journey to reclaim their identity. 

An advisory group set up by the NHRC in 1998 had strongly recommended repealing the HOA, but its misuse continues. Apart from this Act, DNC-DNTs are also charged under the Forest Act, Beggary Act, Arms Act, and Goonda Act, among others.  

The perpetuation of the branding of Kuravars as criminals from birth by the State’s institutional machinery in colonial and post-independence India has vitiated the mindset of the police and wider society with regards to them. It has provided implicit sanction to, and normalised custodial violence and other kinds of police atrocities against Kuravars. 

In 2020, a WhatsApp message was circulated in Tamil Nadu, openly branding Kuravars as thieves and asking the public to be on guard. The message was accompanied by a photograph of a police official of the rank of Deputy Superintendent of Police.  

The WhatsApp message from the police department that went viral on social media (photographs covered to protect identity).

Pandiyan mentioned that he “took the matter up with the concerned official who said that he had dictated a message to caution the public to be on guard against thieves generally, not Kuravars specifically.” Somewhere down the line, the message was distorted. 

The British project of persecuting “criminal” tribes also relied heavily on the indoctrination of DNT-DNC children with propaganda against their own community. 

In her book Radhakrishna mentions some poems that were taught by The Salvation Army to children from “criminal tribes” relocated to the Stuartpuram settlement camp. ‘The Crim [criminal] as we Find Him in the Telegu (sic) Country,’ goes thus: 

Come listen to me for a moment or more,

For I am a ‘crim’, yes, I am a ‘crim’;

There are records against me, yes, more than a score,

I belong to the criminal kind.

I live by plundering other men’s goods, (…)

My home is in the jungle way off in the woods (…)

I watch out for travellers ‘long lonely bye roads (…)

And many a ‘hold up’ I’ve done on the road,

That’s the life of the criminal kind. 

Pandiyan, who had seen a generation of adult Kuravars weighed down by false cases, was driven by one concern: to protect pre-teen and teen Kuravar children from being drawn into this vicious cycle of being targeted by the police.


Members of Witness for Justice felt the need for an initiative that had the potential to transform the degraded image of Kuravar children in the eyes of the local police and caste-Hindu society. That was how the idea of a community art school for Kuravar children was born.

Creating an alternative pedagogical universe for Kuravar children 

The Children’s Resource Centre (CRC) emerged as a platform in January 2021 to enable Kuravar children to express themselves and to amplify their voices of resistance through art and creative expression. At present there are two centres in Madurai district and five in Thanjavur.

“The CRC is not a school per se; it is more of a collaborative space. Earlier we used to run it under a tree or in someone’s courtyard, but recently the local government helped us build a brick structure,” Pandiyan said. 

He talked about the activities at the centres: “Our facilitators, who are currently enrolled in college, encourage the children to draw and paint, make origami toys, take photographs, and enact plays. This is apart from helping them with reading and writing, basic math and science. They also discuss the news and other local issues.”

A group of Kuravar children excitedly display their 

origami creations at the children’s resource centre. Photo: Sukanya Roy

The facilitators are first-generation learners, mostly young women from the Kuravar community itself. Pandiyan believed that they would serve as role models for the children. “All of them have had a particularly adverse childhood, seen their parents in and out of jail, and yet sustained their education. The children can relate fully to them,” he said.

Hema (19), a facilitator, narrated her story: “My father suffered police torture. I had to drop out of school due to the humiliation and financial burden. My mother consumed poison and killed herself. She even gave some to me, but by God’s grace I am alive.” Being a facilitator has enabled her to provide the children with emotional and moral support – something she lacked while growing up, she added.

Formal education has proved severely alienating for Kuravar children. They are unable to attend online classes as they cannot afford smartphones and laptops. Even when school was offline, they were routinely humiliated and taunted by their peers for being “criminal”. 

Talking about her experience of school, Brammahstab (19), a facilitator at one of the CRCs in Thanjavur, said “I used to feel traumatised attending school. The teachers would say I could never get ahead in life because I am Kuravar. My upper-caste classmates would jeer at me.”

She has painful memories of the police often coming to school to “pick up” the children of Kuravar adults who had been taken into custody, further embarrassing them in front of others.

Untouchability is also a common experience for Kuravar students. Sanjitha (12), who goes to the same CRC in Thanjavur, told me excitedly, “I shared a paintbrush with Priyadarshini during the workshop. This has never happened before! Now she is my friend.” 

Priyadarshini was a girl from an “upper caste” who would typically not smile at or talk to Kuravar children, like most Savarna children. “In the workshops, we invite children from all castes to create art together. They share a paintbrush, sit next to each other and eat from one plate” said Pandiyan. 

To pique the interest of Savarna children and facilitate interaction across caste boundaries, CRCs include activities not offered by formal schools. “In their childish excitement, Savarna children forget to worry about their hands brushing against Kuravar children while figuring out how to use a DSLR camera,” he remarked.

Kumutha, a social justice advocate coordinating the CRCs, stated that the drop-out rate in formal schooling is very high amongst Kuravar children: “When the parents are kept in custody for months together, they are forced to stay at home to look after their younger siblings, which puts an end to their studies.” Often, severe police torture renders the adults disabled, and children start earning for the family, working as child labour or migrant labour.

Sometimes, parents have to take drastic decisions to ensure that their children get a formal education. When Muthu from Manojpetti village wanted to pursue his Bachelor’s degree in botany several years ago, his father decided to send him away so that he could do that – just so he could escape being picked up by the police on false charges. He was illegally detained for the first time when he was 12, although no case was filed against him. 


Art as a tool to reclaim community identity

The emotive paintings created by the children in a recent workshop held by the Children’s Resource Centre. (Right) A child excitedly shows off his hand print made on a plaster of paris base. Photo: Sukanya Roy

Witness for Justice plans to exhibit the children’s artworks to sensitise people in local positions of power towards their struggles. “We want to invite the Panchayat Sarpanch, schoolteachers, members of the District Child Protection Unit (DCPO), Social Welfare Department officials, as well as the local press,” Pandiyan said. 

Chokammal, a child counsellor who was associated with the project for some time in 2021 stressed that an alternate pedagogy focused on art and culture is crucial to the Kuravar children’s emotional development. 

“I observed that most of the children were too “mature” for their age. The severe trauma of being socially shunned and humiliated, as well as fending for their families, has made them grow up before their time. Art can help them process these difficult emotions and not repress them,” she explained.

Pandiyan pointed to the overwhelming use of three colours in the children’s paintings – khaki, red and black.  When he asked the children about it, they said that the khaki shade stood for the police uniform, red symbolised blood, and black was a sign of gloom.

In the words of Dakxin Chhara, an award-winning filmmaker from the Denotified Chhara tribe of Gujarat, even though the content of an artwork may be “depressing”, the artist feels hopeful, having shared his or her vision with the world. 

Filmmaker Dakxin Chhara. Photo courtesy of his blog.

Chhara’s own life is testimony to the struggle against State violence on DNTs. In 2018, around 300 policemen barged into the homes of tribals in Chharanagar and perpetrated mass assault. 

“No one can speak for you, only you can. I strongly believe that if I hadn’t found art as my guiding light, I too would be rotting in prison,” he stressed. Through art, Chhara could escape not only the literal bars of jail, but the shackles of social stigma as well. As the Artistic Director at Budhan Theatre, a community theatre group that has been training actors from the Chhara community, he is taking the cause of DNT liberation forward. The same sense of hope animates the CRC project as well.

The smiles say it all: children stand with the plaster of paris moulds they have made of each other’s faces. The activity has a symbolic meaning as well: in “taking off the masks, they are rejecting the mainstream “masking” of their true personas. Photos: Sukanya Roy

State apathy towards Kuravars pervades law and policy

However, the committed social activists who initiated the CRC programme know what they are up against, for the deeply lacerating collective experience of being criminalised and violated has passed down from one generation of Kuravars  to the next, and is imprinted on their memories and bodies.

Indian criminal law has sorely failed to recognise the specific nature of crimes committed against DNT-DNC groups. The Scheduled Castes and Scheduled Tribes Prevention of Atrocities Act, 1989, does not redress the unique nature of their rights violations. A separate atrocity act specifically for DNT-DNCs is needed.

Wadekar threw light on this issue: “Atrocities against SCs are committed with a very specific awareness of caste location, by non-state groups or individual citizens. But the DNTs are targeted by the State and the police, entire political systems.  It’s not about one person or ten people.”

She pointed out that just as Savarna communities can easily ask for police protection against individuals, so can Dalits and Adivasis with the PoA Act, at least theoretically. “But what happens when the State itself is the perpetrator? What law will DNT-DNC people turn to? How do they ask for protection from the “protector,” the police?” she asked.

Another facet of the betrayal of the State post-independence has been the failure to provide Kuravars with correct documentation which is crucial for availing the benefits of social welfare schemes.

M. Jegannathan, founder president of the National Kurinjiar Social Justice Peravai (NKSP), an organisation fighting for the political rights of Kuravars, sketched out the existing scenario. “Kuravars fall under different categories in Tamil Nadu itself. Malai Kuravars are counted as ST, Gandarvakottai Kuravars as DNC, and Nari Kuravars as SC! Moreover, an SC Kuravar from Madurai may fall under the DNC category in Thanjavur,” he said.

The aforementioned 2008 Renke Commission report had also written about the pervasive problem of wrong or non-classification of several hundred DNC-DNT groups: “(…) different generations of [the] same community have been issued different community certificates, for example in Tamil Nadu, (…) the grandfather was holding a certificate of SC community while the father was given ST certificate and the son had a certificate of Denotified Community.”

In 2015, the Idate Commission was set up to rectify this problem, but was denied sufficient funds by the Union Ministry of Social Justice and Empowerment to conduct a pan-India field survey. The report had to rely mainly on secondary data to present its findings.

The NKSP is fighting for the consolidation of all 27 sub-groups of Kuravars into Scheduled Tribe (ST) status so that the Kuravars can avail education opportunities and jobs smoothly, as well as get significant benefits in budgetary allocations. An analysis of the Union government’s annual budgets of the past five years has highlighted a continuous under-utilisation of funds reserved exclusively for DNC-DNT welfare. 

Jegannathan also mentioned that when a Kuravar person is convicted under their first false case, the police usually confiscate their identity proofs and refuse to return it. 

It is a concern voiced by Wadekar as well, “In the protests against the CAA-NRC, people were talking about the threat to Muslims, SCs, and rightfully so. But the narrative about DNC-DNTs was absent! In their case, too, the State is refusing to see 15% of its population as citizens.”

A group of Kuravars in Manojpetti village standing with activists from Witness for Justice in Thanjavur. Photo: Sukanya Roy

Forced nomadism in today’s times

The present-day nomadism of DNC-DNTs is mostly not voluntary. “People casually say, ‘Oh! I’m a gypsy, a nomad!’ They are not aware of the pain and persecution this term brings with itself,” Wadekar remarked.

The neoliberal economy has made the generational knowledge and skills of DNC-DNTs redundant, ousted them from their own lands, and forced them to migrate in search of work to places where they have no community support. 

The people seen selling roses at traffic signals in big cities are actually Pardhis, the young girls performing tricks on ropes in big and small towns are Nats, the women working as construction labour are mostly Banjaras, said Wadekar. 

“Inspite of their unique histories and skills, caste-Hindu society sees them as beggars or thieves. Seven decades after Independence, this country is still not theirs,” she added.

Countering historical amnesia

The erasure of the rich histories of Denotified tribes continues, as the colonial masters have been replaced by the pillars of caste society. 

That is why, Dakxin Chhara articulated, “there is a political aspiration implicit in our art – that of countering historical amnesia.” In fact, Budhan theatre was formed to honour the memory of Budhan Sabar, a member of the De-Notified Sabar Tribe in West Bengal, who was murdered by the Police in 1998. 

In 2021, we still perform in Budhan’s name to assert that a history in which our ancient tribes are invisibilised and criminalised, cannot be the collective history of India,” the filmmaker asserted. 

That is what lends gravity to the Kuravar children’s tryst with art. Their artworks courageously express not just the struggles of their own lives but also of their ancestors. They compel you to ‘see’ them and their subjectivities, rendered invisible by the violence of the State’s institutional mechanisms. 

Their voices are slowly filtering out the raging silence of the past as they, quite literally, create history in the present.

Sukanya Roy is a freelance journalist based out of New Delhi. She tweets at @_aynakus_.

 SOURCE ; THE WIRE

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